BOOKCOVERSFORALLSINCE 2009

Hello, I’m a book designer.

Nice to meet you! My name is Anton Khodakovsky. I’ve been working with books for over 20 years, in genres ranging from spiritual guides to thrillers and from popular science to poetry. I’ve designed hundreds of titles and know how to create a cover that stands out.

My family and I live in Porto, Portugal. I came to book design after a career in web and advertising design and illustration, and it has become my favorite field.

I’ve worked with publishers such as O’Reilly, Brookings Institution Press, University of North Texas Press, Holy Cow! Press, Greenleaf Book Group, Avocet Books, Satyr Press, and Palfrey Books. I’ve also worked with author-services companies like Big Idea to Bestseller, Scribe Media, and Streamline Books, and with independent authors across the United States.

Rates are reasonable, turnaround is quick, and everybody is happy.

Covers

One Man's Law by John Clarkson Debugging Teams by Brian W. Fitzpatrick and Ben Collins-Sussman Why by Samantha Kleinberg Layered Money by Nik Bhatia One Way Out by John Clarkson And Justice for One by John Clarkson Enduring and Emerging Issues in South Asian Security by Sumit Ganguly and Dinshaw Mistry The Iranian Revolution at Forty by Suzanne Maloney Load Poems Like Guns by Farzana Marie The Unforgettable Classroom by Chad Lovewell Finding Serenity by John J Weltman Expat Mum Comeback by Kara Wutzke Pizza Parties Don't Build Culture by Julia Wiener American Soil by Laura Tetrault The Bus Has No Driver by Ryan Kohler Going Independent by Christopher F. Poch Grace in the Grit by Lisa Nicholson Trial by Fire by Tyler Ippoliti Uncocooned by Shelly Rexroat How We Stay Sane by Antone Hempstock Because I Deserve It by Kenitra W. Dominguez Boy to Man, Man to Son by Carnell Moses All the King's Fathers by Edward Hilary Davis The Unstoppable Team by Lia Garvin Freeze Frame by Tyler Beauchamp The New Manager Playbook by Lia Garvin In the Evening, We'll Dance by Anne-Marie Erickson The Simple Art of Getting Unstuck by Maria Piantanida Those Who Face Death by Mark Grdovic The Gulf Cooperation Council at Forty by Tarik M. Yousef and Adel Abdel Ghafar Essentially by Richard Terrill Managing U.S. Nuclear Operations in the 21st Century by Charles L. Glaser, Austin Long and Brian Radzinski The Digital Financial Revolution in China by David Dollar and Yiping Huang The Burden in My Hand by Bryan Becze What Falls Away Is Always by Richard Terrill Partners of First Resort by David McKean and Bart M.J. Szewczyk Trump, the Administrative Presidency, and Federalism by Frank J. Thompson, Kenneth K. Wong and Barry G. Rabe China 2049 by David Dollar, Yiping Huang and Yang Yao Everything Solid Has a Shadow by Michael Antman The Crisis of Liberal Internationalism by Yoichi Funabashi and G. John Ikenberry The Dissidents by Peter Reddaway The Big Shootout by Mike Looney How to Conquer Your Fear of Selling and Close That Deal by Robert M. Serabin The Absent Traveler by Randall DeVallance

What I can do for you.

“Self-published” doesn’t have to be a put-down, and a self-published book can look better than one from a big publisher. Too often, though, the design gives it away, on the cover or on the first pages, and readers notice: they scroll past the thumbnail, or they close the book and walk away.

Cover design

Writing a book can feel romantic, but once the book is out it has to sell, and readers buy what catches their eye. A reader browsing Amazon gives your book a few seconds, often looking at nothing more than a small thumbnail, before deciding whether to click, so people do judge a book by its cover.

Self-published books appear on the same pages as books from the big publishers, which have whole art departments working on their covers. Your cover has to look like it belongs among them and still stand out, and that takes specific skills, experience, and, of course, talent.

The design takes about 20 to 35 hours. I start by looking at the competing books in your category, then choose the imagery and fonts, do some sketching and scribbling, and move on to photo manipulation, color correction, and the rest of the design work.

Interiors

Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread Book interior spread

Page layout & typesetting

The cover is very important, of course, but poor layout and sloppy typesetting can kill any book, no matter how good the story is. Usually no single mistake is to blame: unbalanced margins, an unsuitable font, loose justification, careless hyphenation, cramped leading, and plain chapter openings add up.

If book design isn’t your field, you don’t have to learn it, since there are people who do this for a living, me included. Don’t worry, I got you.

Besides English, I do typesetting in Vietnamese, Spanish, Slovakian, Russian, Farsi, Turkish, e muito mais.

How it works.

It starts with an email, in which you tell me about your book and what you’d like to see on the cover in terms of mood or style, and I answer any questions you have. If you’d like to talk first, we can have a short Zoom call.

We start with the front cover design after you fill out the Cover Design Questionnaire. Within a week I’ll deliver 3 front cover concepts. One of them is often accepted with minor tweaks, and 3 rounds of revisions are included just in case.

After the front cover is approved and the overall style is established, I’ll design the interior. I’ll provide 3 interior samples (up to the beginning of the first chapter), and you decide on one. We can mix and match them, of course.

Then I typeset the full manuscript and rework the graphics if needed.

I’ll provide ready-to-print files to you or directly to your printer, according to the specifications. I’ve been working with the leading print-on-demand service providers like Amazon KDP, IngramSpark, and custom printing companies.

Illustrations

Santa Claus doing freestyle aerial skiing Santa Claus as a hockey goalie A businessman with a spyglass on a rock in the sea Vladimir Putin riding a bear, a tiny Trump in his hand A businesswoman riding a bucking bull, briefcase held high Santa Claus curling Santa Claus figure skating A flying saucer crashed into a brick building on a small-town main street A kid on rollerblades with a jet pack Kim Jong-un riding a missile, the button in his hand Donald Trump: “I don’t take responsibility at all!” A fencer’s flèche attack Fencing footwork in 3 steps, from en garde to the lunge Donald Trump riding a crashing Twitter bird, with Vlad on the phone Map of the Appalachian Trail, from Springer Mountain to Katahdin

How long it takes.

The whole process usually takes up to a month and a half: 2 weeks for the cover, and the rest for the interior layout, typesetting, and a couple of rounds of corrections.

It goes faster when the manuscript is fully proofread before typesetting starts and you reply to each round of proofs within a day or two.

What people say.

Anton and I have worked together for nearly a decade, designing our literary titles. I have always found Anton to be creative, friendly, and able to meet looming deadlines at a reasonable cost. Highly recommended!

Jim PerlmanEditor & publisher, Holy Cow! Press

RPG book creation is simply the hardest problem information design and graphic design can present, yet tragically unrecognised and unrewarded. In his work on Maze of the Blue Medusa, Anton proved himself a simultaneous master of not only the subtle combinations and gritty challenges inherent in the form, but the human dilemmas birthed when masterly egos and intense impulses collide across the field of art. He is central to the creation of a singular classic of its kind, still spoken of and sought after a decade post-release.

Patrick StuartCo-author of Maze of the Blue Medusa

I’ve worked with Anton on dozens of projects, and his creativity, professionalism, and reliability are invaluable. I can trust that Anton will always come up with interesting, well-executed concepts that adhere to the brief but also demonstrate his unique skills. More than that, though, he will always ask insightful questions and even push back when needed to ensure the work is being done to the highest quality. Anton is a true professional and I’m grateful to know him!

Donnel McLohonFounder of McLohon Publishing

It’s not an arm and a leg.

My pricing is straightforward. If you have no time and need stuff done by tomorrow morning, we’ll agree on a rush fee. I ask for a 50% deposit up front.

Small corrections after typesetting are included, up to a hundred minor edits, as long as they don’t change how the text flows from page to page. Back cover copy and endorsement quotes can be changed at any time, even at the last moment. Corrections that change the text flow significantly are charged at $50 per hour, and in the most severe cases the book has to be typeset again. Any extra fees are discussed beforehand, with a detailed estimate, so there are no hidden fees or unexpected charges.

Cover design

3 concepts.

3 rounds of revisions.

Print-ready PDF of the full cover (front, spine, and back), ebook and audiobook versions of the cover, and 3D mockups for marketing.

$899

Interior layout

It involves selecting the typeface and margins, deciding how to indicate chapters, page numbers, footnotes, etc.

3 layout samples to choose from, and a couple of rounds of revisions.

Typesetting is charged separately, per page.

$150

Illustration

Quoted per project.

Typesetting

Novels, poetry, general non-fiction.

$3.50 per page

Textbooks, business books with charts, diagrams, tables, multilevel tables of contents, etc.

$4.75–$6.50 per page

Indexing

Alphabetical subject index from a keyword list.

$180

Ebook conversion

EPUB for Amazon KDP. Manually coded, triple checked.

$200